Challenge of Music! Blog hop - 29th Feb 2012: ALTER BRIDGE "I KNOW IT HURTS"

I found this challenge on the blog Treasures Found: Inspiration is Everywhere and a huge thank you to Erin for organising it! The task was to select a song which means something to you and explain its importance and use the song to inspire the creation of an accessory of your choice.

I selected 'I Know it Hurts' by Alter Bridge. This song resonates with me for a number of reasons and was the first song that came to mind when I read about the challenge.
I first heard Myles Kennedy sing in Melbourne. He was performing with Slash at the music festival Soundwave. I've always been a sucker for a guy that can sing, and I was mesmerised by Myles' voice. The moment I remember most clear was as he began to sing 'Sweet Child O' Mine'. That song was played at my friend's funeral in 2008 (he apparently had 16 versions of it on his laptop so it seemed appropriate!) and so it holds a special place in my heart. At that moment I was actually walking away from the stage to see another act, but I stopped in my tracks as the intro played. I simply stood still and watched them perform the entire song.
Back in the UK I found out that Myles is the lead singer of Alter Bridge and bought their album ABIII without hesitation. I was even fortunate to see them perform in November 2012 and they are incredible live.
The lyrics to this track state "We all fall sometimes, you're not the first, But I know it hurts, I know it hurts" and whenever I listen to it I find some solace in the idea that despite any knockbacks, no matter how painful, it's important to pick yourself up, dust yourself off and move on.
For years I've told people my motto is 'Life goes on' - my best friend even has it tattooed on her wrist as I've said it to her so many times when times got tough. No matter how dark the tunnel, there will be an end to it, "You must carry on...There's still tomorrow, hold on, hold on..."

This track, and even this band are relatively new in my life. But they remind me of several things. Firstly, of how fantastic the festival in Melbourne was - one of my favourite travel memories. Secondly, that life has its ups and downs - and that's ok. 

And finally, how music has the power to take you out of your self, it can transport you to another realm where all that matters is the melody. I'm sure in years to come this track will still remind me of the here and now - and that I can look back fondly on that.

As my arts and craft supplies are minimal at the moment, I decided to keep my accessory simple -based on the form of an embroidery friendship bracelet. I added in mini black beads to symbolise the struggles we encounter and chose the colour black to resemble the darkness we sometimes find ourselves in, red for the struggle and white for the hope of a better future.

  

In some ways it was quite difficult to select a single song, but I try to go with my gut instincts and this is it. I hope you enjoy it!

 

The others participating in the blog hop are listed below, so check out the other song choices and maybe find some new tunes to add to your music library!

Erin Prais-Hintz

Marcie Abney
Christine Altmiller

Elisabeth Auld
Lori Bowring Michaud

Shannon Chomanczuk
Cece Cormier
Jenny Davies-Reazor
Malin de Koning

Beth Emery
Michelle Escano-Caballero
Erin Fickert-Rowland

Therese Frank

Amy Freeland
Tanya Goodwin
Stephani Gorman
Amy Grass
Beth Hemmila
Kristina Johansson
Jennifer Justman
Tari Kahrs
Susan Kennedy
Ema Kilroy
Kathleen Lange Klik
Kirsi Luostarinen
Paige Maxim
Beth McCord

Natalie McKenna
Alice Peterson

Cat Pruitt
Bobbie Rafferty
Johanna Rhodes
Cynthia Riggs
Sally Russick
Sarah Sequins
Amy Severino
Staci Smith

Kristen Stevens
Lola Surwillo

Stefanie Teufel

Sandi Volpe

Holly Westfall
Shaiha Williams

Once in a lifetime...

The BBC recently broadcast a series detailing the history of musical theatre. Having fallen in love with musical theatre after seeing 'Starlight Express' at the age of 11, I was intrigued to see behind-the-scene snippets of various productions that I have seen on stage.

The first episode looked at British playwrights trying to "make it" on Broadway and the history of theatre in the 1960s/1970s. One milestone in theatre came with the arrival of the "American Tribal Love Rock Musical" - HAIR - a show which pushed the boundaries of censorship in various ways.

In 2004 I participated in a production of HAIR in a cast of only 19 people. All members of the cast were on stage for every song and in on all the "in jokes". It genuinely was like one large family.

Still to this day I get shivers when I hear the music, in particular the part in 'flesh failures' where the company sing under Claude:

 Claude                                                                                Company

Manchester England England
Manchester England England                                         Eyes look your last
Across the Atlantic Sea                                                 Arms take your last embrace
And I'm a genius genius                                                And lips oh you the doors of breath
I believe in God                                                            Seal with a righteous kiss
And I believe that God believes in Claude                       Seal with a righteous kiss
That's me, that's me, that's me                                      The rest is silence
                                                                                   The rest is silence
                                                                                   The rest is silence

©Jim Rado and Jerry Ragni

Every so often, when the old cast discuss upcoming shows/projects, we reminisce about the unique experience of being involved in HAIR. In such a small cast, we became very close and there had to be respect and trust amongst the cast in order to perform the nude scene with the required dignity, humanity and innocence. There was occasional talk about doing a revival - but on the condition that the same cast was involved. Drunk on nostalgia we talk about how rare the experience was and how we would love to re-live it.

But can such an experience ever truly be recreated?

Sadly, I think not. It was what it was because of who we were as people at the time and inevitably, we all have changed over the years. Therefore, an attempt to recreate that unique rapport between castmembers could be difficult, and should it not fulfil expectation our memories would be tarnished rather than filled with the recollection of the extraordinary bond we shared at the time.

Despite performing in several other productions over the years, HAIR still holds a special place in my heart and memory. In many ways, it's impossible to put into words how it affected me.

Beads...Flowers....Freedom...Happiness

It was a 'once in a lifetime' production... And maybe, that's how it should be.